Best hourly history oscar wilde list
We spent many hours on research to finding hourly history oscar wilde, reading product features, product specifications for this guide. For those of you who wish to the best hourly history oscar wilde, you should not miss this article. hourly history oscar wilde coming in a variety of types but also different price range. The following is the top 4 hourly history oscar wilde by our suggestions:
1. Declaring His Genius: Oscar Wilde in North America
Description
Arriving at the port of New York in 1882, a 27-year-old Oscar Wilde quipped he had nothing to declare but my genius. But as Roy Morris, Jr., reveals in this sparkling narrative, Wilde was, for the first time in his life, underselling himself. A chronicle of the sensation that was Wildes eleven-month speaking tour of America, Declaring His Genius offers an indelible portrait of both Oscar Wilde and the Gilded Age.
Wilde covered 15,000 miles, delivered 140 lectures, and met everyone who was anyone. Dressed in satin knee britches and black silk stockings, the long-haired apostle of the British Aesthetic Movement alternately shocked, entertained, and enlightened a spellbound nation. Harvard students attending one of his lectures sported Wildean costume, clutching sunflowers and affecting world-weary poses. Denver prostitutes enticed customers by crying: We know what makes a cat wild, but what makes Oscar Wilde? Whitman hoisted a glass to his health, while Ambrose Bierce denounced him as a fraud.
Wilde helped alter the way postCivil War Americansstill reeling from the most destructive conflict in their historyunderstood themselves. In an era that saw rapid technological changes, social upheaval, and an ever-widening gap between rich and poor, he delivered a powerful anti-materialistic message about art and the need for beauty. Yet Wilde too was changed by his tour. Having conquered America, a savvier, more mature writer was ready to take on the rest of the world. Neither Wilde nor America would ever be the same.
2. Masculine Desire: The Sexual Politics of Victorian Aestheticism
Feature
Used Book in Good ConditionDescription
Beginning with Tennyson's In Memoriam and continuing by way of Hopkins and Swinburne to the novels of Oscar Wilde and Thomas Hardy, Richard Dellamora draws on journals, letters, censored texts, and pornography to examine the cultural construction of masculinity in Victorian literature.Central to the struggle over the meaning of masculine desire was the institutional politics of Oxford University, where Benjamin Jowett, Matthew Arnold, John Ruskin, and Walter Pater were principal players. As a young man in the 1860s, Pater, the art historian, essayist, and novelist, theorized a place for desire between men in cultural formation and critique. Later, in a climate of growing intolerance, he continued to affirm male-male desire but with increasing attention to the social functions of homophobia. Dellamora shows that discontent with conventional gender roles animated efforts to reimagine the possibilities of masculine existence.
Originally published in 1990.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
3. Modernism Is the Literature of Celebrity (Literary Modernism)
Feature
Used Book in Good ConditionDescription
The phenomenon of celebrity burst upon the world scene about a century ago, as movies and modern media brought exceptional, larger-than-life personalities before the masses. During the same era, modernist authors were creating works that defined high culture in our society and set aesthetics apart from the middle- and low-brow culture in which celebrity supposedly resides. To challenge this ingrained dichotomy between modernism and celebrity, Jonathan Goldman offers a provocative new reading of early twentieth-century culture and the formal experiments that constitute modernist literature's unmistakable legacy. He argues that the literary innovations of the modernists are indeed best understood as a participant in the popular phenomenon of celebrity.
Presenting a persuasive argument as well as a chronicle of modernism's and celebrity's shared history, Modernism Is the Literature of Celebrity begins by unraveling the uncanny syncretism between Oscar Wilde's writings and his public life. Goldman explains that Wilde, in shaping his instantly identifiable public image, provided a model for both literary and celebrity cultures in the decades that followed. In subsequent chapters, Goldman traces this lineage through two luminaries of the modernist canon, James Joyce and Gertrude Stein, before turning to the cinema of mega-star Charlie Chaplin. He investigates how celebrity and modernism intertwine in the work of two less obvious modernist subjects, Jean Rhys and John Dos Passos. Turning previous criticism on its head, Goldman demonstrates that the authorial self-fashioning particular to modernism and generated by modernist technique helps create celebrity as we now know it.
4. Oscar Wilde and the Poetics of Ambiguity
Description
"Balanced, clear, and judicious . . . [it] examines all of Wilde's oeuvre, from essays through novel, plays, and last works; and it does so, notably, by examining Wilde and his era in generous scope. . . . This book has authority and thoroughness."--Roy Gottfried, Vanderbilt University
Oscar Wilde and the Poetics of Ambiguity presents an inclusive approach to Wilde criticism. It highlights the diversity in Wilde's writing, suggests strategies for reading, and leaves the reader to decide how best to apply them.
In the first critical approach to Wilde's entire canon based on reader-response theory, Michael Patrick Gillespie examines the historical and social contexts in which the works are received. He synthesizes over a century of criticism, highlighting specific elements while ignoring others.
Citing multiplicity as the defining feature of Wilde's artistic consciousness, Gillespie maintains that any other approach gives short shrift to central aspects of Wilde's aesthetics.
In his preface to The Picture of Dorian Gray, Wilde wrote, "There is no such thing as a moral or an immoral book. Books are well written, or badly written." He then adds, disingenuously, "that is all." Gillespie identifies the diverse features that make Wilde's works well written.
Michael Patrick Gillespie is professor of English at Marquette University, Milwaukee, and author of The Picture of Dorian Gray: "As the World Sees Me" and (with A. Nicholar Fargnoli) James Joyce A to Z.
Recent Comments