Top 8 best plantation memories
Finding the best plantation memories suitable for your needs isnt easy. With hundreds of choices can distract you. Knowing whats bad and whats good can be something of a minefield. In this article, weve done the hard work for you.
1. Plantation Memories
2. Memories of the Old Plantation Home: A Creole Family Album
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Book in excellent condition (just has a slight bending to it) no rips, tears or marks.3. Belvidere: A Plantation Memory, Commemorative Edition
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"Belvidere is underwater too deep for any eye but that of memory to reach," begins Anne Sinkler Fishburne reverential recollections of her ancestral home. Located in between Santee River and Eutaw Creek near present day Eutaw Springs, South Carolina, Belvidere plantation once produced Santee long cotton (a hybrid between Upland cotton and Sea Island cotton) and short staple cotton on its nearly 800 acres of rich Lowcountry soil and served as the home of the Sinkler family from the 1770s until the 1940s. An elegant two-story timber house was built on the property in 1803, complete with full-brick basement, brick foundation, a welcoming piazza across the front, and a large wing balanced on the opposite side with a brick-paved sun piazza. In 1936, a race track was constructed at Belvidere to host races for the St. John's Jockey Club (originally the Santee Jockey Club). The storied and vibrant life at Belvidere came to a close in 1941, however, with the completion of the huge Santee Cooper hydroelectric development. Belvidere, like many plantations of the parish, now rests below the waters of Lake Marion, but its past can still be experienced by the modern reader in this plantation memory.First published in 1949, Belvidere chronicles life at the plantation through letters, memoir, and historical research. When Fishburne gathered the materials that compose this volume, she merely wished to preserve for her grandchildren the story of the plantation that was her beloved home and that of many generations of her forebears. Written in an invitingly authentic Lowcountry voice, the resulting narrative is an opportunity to sit on the piazza and walk the gardens once more and share stories of a way of life from a bygone era. Featuring twenty-four illustrations, this commemorative edition of Belvidere is enhanced with a new introduction by Fishburne's granddaughter Anne Sinkler Whaley LeClercq, an accomplished family historian, author, and editor.
4. Wounds of Returning: Race, Memory, and Property on the Postslavery Plantation (New Directions in Southern Studies)
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From Storyville brothels and narratives of turn-of-the-century New Orleans to plantation tours, Bette Davis films, Elvis memorials, Willa Cather's fiction, and the annual prison rodeo held at the Louisiana State Penitentiary at Angola, Jessica Adams considers spatial and ideological evolutions of southern plantations after slavery. In Wounds of Returning, Adams shows that the slave past returns to inhabit plantation landscapes that have been radically transformed by tourism, consumer culture, and modern modes of punishment--even those landscapes from which slavery has supposedly been banished completely.Adams explores how the commodification of black bodies during slavery did not disappear with abolition--rather, the same principle was transformed into modern consumer capitalism. As Adams demonstrates, however, counternarratives and unexpected cultural hybrids erupt out of attempts to re-create the plantation as an uncomplicated scene of racial relationships or a signifier of national unity. Peeling back the layers of plantation landscapes, Adams reveals connections between seemingly disparate features of modern culture, suggesting that they remain haunted by the force of the unnatural equation of people as property.
5. Belvidere A Plantation Memory. Fishburne, Anne Sinkler
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The history and text about Belvidere Plantation.6. Victoria Ward and Her Family: Memories of Old Plantation
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Hawaii. Victoria Ward and Her Family: Memories of Old Plantation [hardcover] Frank Ward Hustace III [Jan 01, 2000] ... 18835281787. Possessing the Past: Trauma, Imagination, and Memory in Post-Plantation Southern Literature (Southern Literary Studies)
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Employing recent theories of memory from multiple areas of study, Possessing the Past illuminates the tangled relationships among trauma, fantasy, and the public sphere, and their impact on the "South" in imagination and in reality. Focusing on the roles that narrative and fantasy play in creating a sense of regional distinctiveness, Lisa Hinrichsen brings a wealth of critical scholarship to her consideration of memory and southern literature.
Hinrichsen's nuanced readings of a diverse group of southern authors, including William Faulkner, Roberto Fernndez, Erna Brodber, Monique Truong, and Katharine Du Pre Lumpkin, offer new ways of conceptualizing memory, place, and history. She unravels southern literature's critical confrontation with the region's history through complex systems of remembrance and erasure, and she traces how fantasy mediates trauma and adjudicates identity. Expansive in its psychoanalytical approach, her work explores issues of law, testimony, and social justice; the role of nostalgic fantasies of gentility at midcentury; the relationship between white empathy and social fantasy; the resemblance of regional patterns of disavowal to national ideologies of forgetting in Vietnam-era fiction; and the impact of contemporary multicultural literature on memory and community.
Possessing the Past broadens the theoretical framework used to conceptualize memory and trauma, while grounding traumatic testimony in the specifics of time and place amply offered by southern literature. It provides new readings of an array of southern writers and deepens our understanding of the continuing importance of history, memory, and fantasy in the literature of the U.S. South.
8. Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film before World War II
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Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans.Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
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