Top 7 best visitor experience for 2022

Finding the best visitor experience suitable for your needs isnt easy. With hundreds of choices can distract you. Knowing whats bad and whats good can be something of a minefield. In this article, weve done the hard work for you.

Product Features Editor's score Go to site
Identity and the Museum Visitor Experience Identity and the Museum Visitor Experience
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Creating Great Visitor Experiences: A Guide for Museums, Parks, Zoos, Gardens, and Libraries Creating Great Visitor Experiences: A Guide for Museums, Parks, Zoos, Gardens, and Libraries
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Designing for the Museum Visitor Experience (Routledge Research in Museum Studies) Designing for the Museum Visitor Experience (Routledge Research in Museum Studies)
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Learning from Museums: Visitor Experiences and the Making of Meaning (American Association for State and Local History) Learning from Museums: Visitor Experiences and the Making of Meaning (American Association for State and Local History)
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Blind Visitor Experiences at Art Museums Blind Visitor Experiences at Art Museums
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The Objects of Experience: Transforming Visitor-Object Encounters in Museums The Objects of Experience: Transforming Visitor-Object Encounters in Museums
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Museums and Visitor Photography: Redefining the Visitor Experience Museums and Visitor Photography: Redefining the Visitor Experience
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1. Identity and the Museum Visitor Experience

Feature

Left Coast Press

Description

Understanding the visitor experience provides essential insights into how museums can affect peoples lives. Personal drives, group identity, decision-making and meaning-making strategies, memory, and leisure preferences, all enter into the visitor experience, which extends far beyond the walls of the institution both in time and space. Drawing upon a career in studying museum visitors, renowned researcher John Falk attempts to create a predictive model of visitor experience, one that can help museum professionals better meet those visitors needs. He identifies five key types of visitors who attend museums and then defines the internal processes that drive them there over and over again. Through an understanding of how museums shape and reflect their personal and group identity, Falk is able to show not only how museums can increase their attendance and revenue, but also their meaningfulness to their constituents.

2. Creating Great Visitor Experiences: A Guide for Museums, Parks, Zoos, Gardens, and Libraries

Feature

Used Book in Good Condition

Description

Museum and other non-profit professionals have begun to realize that the complete visitor experience is the key to repeat attendance, successful fundraising, and building audience loyalty. Taking lessons learned by successful experience-shapers in the for-profit world, Stephanie Weaver distills this knowledge for museums and other organizations which depend on visitor satisfaction for success. Is your institution welcoming? Are the bathrooms clean? Does the staff communicate well? Are there enough places to sit? These practical matters may mean more to creating a loyal following than any exhibit or program the institution develops. Weaver breaks the visitor experience down to 8 steps and provides practical guidance to museums and related institutions on how to create optimal visitor experiences for each of them. In a workshop-like format, she uses multiple examples, exercises, and resource links to walk the reader through the process.

3. Designing for the Museum Visitor Experience (Routledge Research in Museum Studies)

Description

Exhibition environments are enticingly complex spaces: as facilitators of experience; as free-choice learning contexts; as theaters of drama; as encyclopedic warehouses of cultural and natural heritage; as two-, three- and four-dimensional storytellers; as sites for self-actualizing leisure activity. But how much do we really know about the moment-by-moment transactions that comprise the intricate experiences of visitors? To strengthen the disciplinary knowledge base supporting exhibition design, we must understand more about what goes on as people engage with the multifaceted communication environments that are contemporary exhibition spaces.

The in-depth, visitor-centered research underlying this book offers nuanced understandings of the interface between visitors and exhibition environments. Analysis of visitors meaning-making accounts shows that the visitor experience is contingent upon four processes: framing, resonating, channeling, and broadening. These processes are distinct, yet mutually influencing. Together they offer an evidence-based conceptual framework for understanding visitors in exhibition spaces. Museum educators, designers, interpreters, curators, researchers, and evaluators will find this framework of value in both daily practice and future planning. Designing for the Museum Visitor Experience provides museum professionals and academics with a fresh vocabulary for understanding what goes on as visitors wander around exhibitions.

4. Learning from Museums: Visitor Experiences and the Making of Meaning (American Association for State and Local History)

Feature

Used Book in Good Condition

Description

Visit our website for sample chapters!

5. Blind Visitor Experiences at Art Museums

Description

Blind Visitor Experiences at Art Museums seeks to answer two questions:
  • Given the guiding principle of visual art being understood only by sight, what do people understand when sight is diminished or not there?
  • Moreover, given the experience of blindness, what are the effects of vision loss or no vision on a cultural identity in art?

  • It does this by exploring seven in-depth case studies of visitors to the education department at the Metropolitan Museum of Art, New York, and the experiences of leading groups by two teachers. In addition, this book includes findings from participant observations in classes and touch tours for blind and visually impaired people at the Metropolitan Museum of Art.

    After reading this book, readers will understand both passive and active social exclusion from the museums facilities (active exclusion is defined as a deliberate act of exclusion based on the belief that blind people are incapable of understanding visual art, whereas passive exclusion is defined as exclusion resulting from an aspect of miseducation, such as inappropriate building design or learning materials, or a lack of training, knowledge, resources, access materials or buildings).

    6. The Objects of Experience: Transforming Visitor-Object Encounters in Museums

    Description

    What if museums could harness the emotional and intellectual connections people have to personal and everyday objects to create richer visitor experiences? In this book, Elizabeth Wood and Kiersten Latham present the Object Knowledge Framework, a tool for using objects to connect museum visitors to themselves, to others, and to their world. They discuss the key concepts underpinning our lived experience of objects and how museums can learn from them. Then they walk readers through concrete methods for transforming visitor-object experiences, including exercises and strategies for teams developing exhibit themes, messages, and content, and participatory experiences.

    7. Museums and Visitor Photography: Redefining the Visitor Experience

    Description

    Museums and Visitor Photography is based on new research and innovative practice in some of the world's leading museums. This handbook will help museum and gallery professionals to understand, connect with, and sympathetically manage visitors' participation - both in the museum and online. "A primer in using photography to document, experience, and share." Jeff Gates, Lead Producer, New Media Initiatives, Smithsonian American Art Museum. "A cornucopia of the latest research. This book will become a standard reference on the topic. A great volume."Ed Rodley, Associate Director of Integrated Media, Peabody Essex Museum. "Much-needed context to inform photography policies, practices, and programs... an essential resource." Dr. Randy C. Roberts, Deputy Director, Manetti Shrem Museum of Art, University of California, Davis. "Fresh perspectives for museum and photography studies." Dr. Annebella Pollen, Principal Lecturer, History of Art and Design, University of Brighton. "A fascinating in-depth look at visitor interaction and photography within the museum setting." Jeremy Sutton-Hibbert, Document Scotland.

    Conclusion

    All above are our suggestions for visitor experience. This might not suit you, so we prefer that you read all detail information also customer reviews to choose yours. Please also help to share your experience when using visitor experience with us by comment in this post. Thank you!

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